Monica Cho Art

Monica is a resident @ the Flatiron Building.

[nggallery id=18]

kgagich@gmail.com

Howard Webb

Artist Statement
I paint in order to understand without explaining in words. Although words can suggest images it is the images not the explanation I am after. I work to bring the images to the surface as well as awaken to the images already on the surface. Inevitably I usually see figurative images, even in landscapes. Most of all I relish a work which offers a meaningful sense of mystery to the viewer, suggesting one thing on Monday and something new on Friday.

[nggallery id=7]

Personal Website www.hwebbart.com

Studio 204
hwebbart@earthlink.com

PORTRAIT MANIFESTO
When I painted for you before, I tried to tell you about the imminent end of the world. You never listened. It was too hard for you to comprehend. So I met with my backers and they forced me to reconsider my angle of inclination to act and actions. Now I present to you,

[nggallery id=6]

My portraits are not of divinities, nor are they used for worship services. This new work is about someone on whom the affections are strongly or often excessively set; a person greatly loved or adored. The majority of the collection is of dark-skinned people because of my personal affiliation. For reasons of the inaccurate depictions in film, news, and music, I consider my responsibility towards my brothers to be uplifting, informative, and suggesting reconsideration of our struggles to survive and flourish.

Attending the Art Institute of Chicago in a post-Baccalaureate film program, I was inundated with all types of artists: sculptors, filmmakers, painters, photographers, etc. Seeing that my film program was largely occupied by white South Africans along the same time as apartheid, I gravitated towards the painters, noticing that they had more parties and social functions. I can remember one party where a funny little man, T. J. Darwin, had the most exquisite true-to-life portraits from the World War II conflict: Dwight Eisenhower, Franklin D. Roosevelt, Hirohito, Stalin, Mussolini, and Hitler. Everybody at the party loved his work except for the Hitler portrait. They informed him that he shouldn’t have done that one and an uproar ensued over this Hitler piece. I realized then the power of a painting.

At the age of three when my mother told me that my baby-sitter had died, I didn’t understand. She assured me that I would see her again in heaven, and so I searched for heaven. I’ve read the Bible five times and have become a follower of God. Through the years, my film making, photography, writing, and painting have been God-conscience – apocalyptic pronouncements in particular. My apocalyptic paintings depict a nude figure, weapon in hand, lunging towards the viewer accompanied with a machine of war. Showing these nudes on the streets of New York after the towers fell, I was able to secure some points in Manhattan by which to show wherein I wouldn’t be forced away. After coming back to Chicago and displaying the five by seven feet nude paintings in the windows of the flat iron building, I had to find a First Amendment lawyer due to the commotion it caused. Though I was able to show my work, I wasn’t able to sell my horrific views of the coming end, and so I changed my emphasis from the end to the present.

My present day idols, Oprah Winfrey, Condoleezza Rice, Hillary Clinton, Halle Barry, Bill Gates, Bono, Barack Obama, Spike Lee, Abraham Lincoln, Shroud of Turin, Harold Washington, Martin Luther King, Jr., Che Guevara, Nelson Mandela, Mahatma Gandhi, Mother Teresa, Michael Jordan, Haile Selassie, Mohammad Ali and Malcolm X are people I admire for their rise to the top and fortification of the bottom. These idols make it their just cause to use their celebrity influence and money to alchemize the injustice, poverty, and ignorance of the world. These painted images are not only for the masses, but also for me. They are a reminder of the greatness of humanity, throughout time and history that I personally strive for. I want people to look at this series and take on that strive for greatness themselves.

All “Idol” portraits exist in a 5 x 7 feet framing.
Material: oil on canvas, 5 x 7 feet wooden structure.

JEFFERY REID
Yomamascafe@yahoo.com
1921 North Milwaukee Ave #1
Chicago, IL 60647
Home: 212-330-9342
Cell: 917-657-7358
Manager: 312-719-6709

Mad scientist, oddities collector extraordinaire, left hemisphere MAC-head. Currently working as a timelord in this dimension painting to save his sanity and to pay the for rent of the tardis-machine he uses as protection from the real world.

“Every thousand years, I test each life system in the Universe. I visit it with mysteries, earthquakes, unpredicted eclipses, strange craters in the wilderness… If these are taken as natural, I judge that system ignorant and harmless – I spare it. But if the Hand of Ming is recognized in these events, I judge that system dangerous to us. I call upon the great god Dyzan, and for his greater glory…”

[nggallery id=5]

Chris Berg studied illustration at the Rotterdam Art Academy. In the 1990s he published several stories in the alternative and smallpress comic magazines POSSE, Incognito and Zone 5300, including ‘Check Your Head’ and ‘Harry’. Together with Bram Spits, he opened his Pinnoccio Revival Centre studio in 1993. He was one of the initiators of the comic ‘The Fridge’, that also included work by Michiel de Jong and Milan Hulsing. Since late 1997, he lives and works as an illustrator and painter in Chicago, Illinois.

[nggallery id=4]

Chris is a former resident of the Flatiron Building from a few years back. He still lives in Chicago working full time as a freelance artist painting on commissions, doing illustrations for a number of publications and the occasional gig at the bar for corporate beer sponsors.

Cheers Mate!

Check Your Head!!!